Still: An Elaboration on the Inanimate
Vernissage: April 12th, 2021
Exhibition: April 15th - May 15th, 2021
Face Masks and Social Distancing Required
The Chateau Gallery’s second annual still life exhibition. From ancient Greco-Roman artworks to Dutch vanitas paintings, still life has permeated art history for ages. Show us your most inimitable or transformative scenes of inanimate objects. What contemporary elaborations do you add to this lasting genre of imagery? Between wilting flowers and bowls of oranges, what do you bring to the table?
Featuring: Allen Morris, Danielle Byington, Heidi Brueckner, Kent Klaudt, Malcolm Easton, Kerra Taylor, Linda Nelson, Suzanne Auld, Vincent Gorlami
"Machine for Wrinkling Paper Tape," Malcolm Easton, 2015, 12" x 18" Archival Pigment Print on Fine Art Rag Paper, Edition of F ive - $1100. Photographed assemblage of found objects. Illuminated by natural light. Residing in Berkeley, California, I collect small domestic objects and create arrangements that exist only to be photographed. By creating images from cultural debris, I aim to preserve memories as well as question conventional domestic arrangements. - Malcolm Easton, Berkeley, California.
"Shelter-in-Place Still Life," Kent Klaudt, 2020, 8" x 12" Archival Inkjet Print, Edition of Fifty - $100. Shelter in place is still life I s,hot in my home during the early days of COVID-19 shelter-in-place. - Kent Klaudt, San Fransisco, California.
"Decaying Organic Matter," Vyncex Gorlami, 2021, 12" x 18" Archival Pigment Print on Fine Art Rag Paper, Edition of Ten - $400. A bowl of vegetable matter simmered in a structure fire. Vyncex Gorlami is a multidisciplinary visual artist with a focus on documenting the contemporary through the lens of alternative media. Living and working in Louisville, Kentucky, Vyncex defines his style of photography as social documentary photojournalism, cycling between both independent and mainstream media. His body of work frequently omits an objective viewpoint, enticing the viewer to examine the message from an unfamiliar perspective. - Vyncex Gorlami, Louisville, KY.
"Rose in Glass," Vyncex Gorlami, 2020, 12" x 18" Archival Pigment Print on Fine Art Rag Paper, Edition of Ten - $400. A rose a glass pipe wilts in an alleyway. Vyncex Gorlami is a multidisciplinary visual artist with a focus on documenting the contemporary through the lens of alternative media. Living and working in Louisville, Kentucky, Vyncex defines his style of photography as social documentary photojournalism, cycling between both independent and mainstream media. His body of work frequently omits an objective viewpoint, enticing the viewer to examine the message from an unfamiliar perspective. - Vyncex Gorlami, Louisville, KY.
"by," Allen Morris, 2020, 16" x 20" Archival Pigment Print - $400. These images combine Lumen Printing, a technique that capitalizes on the light-sensitive nature of gelatin silver paper combined with the effects of ultraviolet light and the chemical influences of soil to create an ephemeral image that remains sensitive to light and other environmental factors. To create an archival final print, the original images were scanned and printed as archival pigment prints. -Allen Morris, Milwaukee, Wisconsin.
"Creamsicle," Suzanne Auld, 2020, 21" x 21" Oil on Canvas - $1200. I work exclusively in oils on canvas, working from a digital image of a composition that I have carefully and deliberately composed. These works are my contemporary interpretation of the traditional form of the still life genre.I work exclusively in oils on canvas, working from a digital image of a composition that I have carefully and deliberately composed. These works are my contemporary interpretation of the traditional form of the still life genre. - Suzanne Auld, Hilton Head Island, South Carolina.
"Birdsong," Suzanne Auld, 2019, 25" x 25" Oil on Canvas - $1500. I work exclusively in oils on canvas, working from a digital image of a composition that I have carefully and deliberately composed. These works are my contemporary interpretation of the traditional form of the still life genre. - Suzanne Auld, Hilton Head Island, South Carolina.
"My Life Is In Your Hands," Kerra Taylor, 2019, 7" x 7" Oil on Wood Panel - $625. I am confronted with old age and my personal fear of dying. Like a nagging depression and heavy weight, this is how I carry that burden around with me. Kerra Taylor’s narrative, figurative paintings have been exhibited nationally, internationally and featured in multiple publications. As per-course faculty, she currently teaches beginning and intermediate drawing courses at Missouri State University. On her own time, she really enjoys submitting work to shows, giving artist talks, and leading painting workshops.
"Memento Mori Study II," Kerra Taylor, 2019, 8" x 8" Oil on Wood Panel - $675. I am confronted with old age and my personal fear of dying. Like a nagging depression and heavy weight, this is how I carry that burden around with me. Kerra Taylor’s narrative, figurative paintings have been exhibited nationally, internationally and featured in multiple publications. As per-course faculty, she currently teaches beginning and intermediate drawing courses at Missouri State University. On her own time, she really enjoys submitting work to shows, giving artist talks, and leading painting workshops.
"Ageless," Linda Nelson, 2020, 16" x 16" Oil on Canvas - $285. Decorative jars from the Old World are fascinating to capture on canvas. These jars are sitting on the steps in an old town in a foreign country. - Linda Nelson, Lawrenceburg, Kentucky.
"Jason and Medea's Flawed Kitchen," Danielle Byington, 2021, 9" x 12" Watercolor and Acrylic on Watercolor Paper - $300. The forced compatibility of these domestic staples in both the wallpaper and the cut flowers intends to echo the faulty domestic bliss in Jason and Medeas marriage, leaving the audience to find understanding about the couples scenario. - Danielle Byington, Johnson City, Tennessee
"Lunch," Heidi Brueckner, 2019, 26.5" x 22" Oil and Acrylic on Fabric - $1000. This series of still-lifes is centered around food and eating, and often depicts place-settings. Strange and surprising combinations of imagery are meant to create a tension between what is and isn’t considered beautiful and normal, or revolting and undesirable. My hope is that they inspire and invite some cross-cultural comparisons. The compositions are frontal, discomforting, and intrusive to achieve psychological expression, but also to create an element of humor and fun. - Heidi Brueckner, Oakland, California.
"Breakfast," Heidi Brueckner, 2019, 22" x 28" Oil and Acrylic on Fabric - $1000. This series of still-lifes is centered around food and eating, and often depicts place-settings. Strange and surprising combinations of imagery are meant to create a tension between what is and isn’t considered beautiful and normal, or revolting and undesirable. My hope is that they inspire and invite some cross-cultural comparisons. The compositions are frontal, discomforting, and intrusive to achieve psychological expression, but also to create an element of humor and fun. - Heidi Brueckner, Oakland, California.