Pharmacopeia (2021)
June 18 to July 16, 2021
Pharmacopeia (2021) ran from June 18 to July 16, 2021 at The Chateau Gallery in Louisville, Kentucky. The physical mixed-media exhibition brought together fourteen artists around the substances, systems, memories, and rituals that surround drugs. Its catalog moves through addiction, recovery, intoxication, fear, medicine, and the ways artists archive or confront altered states. Photography was one part of a broader material field that also included ink and colored pencil, oil and acrylic painting, watercolor, collage, found objects, prescription bottles, wire, wood, thread, and mixed media. The surviving record matters because it preserves more than a theme. It documents an in-person chapter of the gallery before TCG Gallery became an online-focused photography platform. This page now serves as Pharmacopeia's permanent exhibition archive, keeping the date, featured-artist roster, installation record, individual credit lines, media, dimensions, and listed prices accessible after the physical show closed. Explore the full catalog below, then continue through TCG Gallery's exhibition archive or view the current photography open calls.
A Louisville Mixed-Media Exhibition
Pharmacopeia opened in Louisville in summer 2021 as a physical exhibition at The Chateau Gallery. Fourteen artists used painting, drawing, photography, collage, assemblage, and found materials to address a subject that reaches from private experience into public systems. The live catalog names addiction, recovery, intoxication, fear, medicine, memory, and ritual as parts of that field. It also preserves the installation record and the individual entries that once accompanied work on the gallery walls. This is not a photography-only exhibition retrofitted to fit TCG Gallery's current program. It is a mixed-media record from the gallery's physical era, now maintained inside a permanent online exhibition archive.
Materials Carry the Record
The catalog makes the range of processes searchable without asking readers to guess from photographs or titles. Clark Stoeckley's entries use ink and colored pencil on cotton rag. Perry Danis is represented by mixed media and collage on found canvas. Hannah DeWitt's Heirloom Quilt is credited as prescription bottles and wire, while Rob Millard-Mendez's The Sackler Family's America is made with repurposed prescription pill bottles, thread, wood, and paint. Sarah Lassiter combines oil on panel with found objects. Sarah Anne Graham works in watercolor and mixed media. Together, those credit lines place drawing, painting, assemblage, and pharmaceutical packaging in the same exhibition record.
Painting and Photography Share the Catalog
Painting supplies another large part of Pharmacopeia's material vocabulary. Michael McDevitt's entries are acrylic on canvas and acrylic on panel. Mikey Winsor, Janet Dake, and Suzanne Baron are represented by oil painting. Ornella Verano's entry is listed as mixed media, and Perry Danis adds collage on found canvas. Photography appears alongside those works through a color photo print on archival paper and archival inkjet printing. The catalog also records edition information where it survives. That mix is the useful point for search and for readers: Pharmacopeia is a Louisville mixed-media exhibition in which fine art photography, painting, drawing, collage, sculpture, and found-object practices occupy one archival page.
Drugs as Substance, System, Memory, and Ritual
The exhibition's original framing does not reduce drugs to a single story. It names substances and systems together, then adds memory and ritual. It makes room for medicine, addiction, recovery, intoxication, fear, and altered states without pretending those experiences are interchangeable. The credited media reinforce the scope of the subject at the level of documented materials. Prescription containers appear as physical components. Photographic prints and paintings sit beside collage, wire, thread, wood, and found objects. The archive lets viewers follow those documented choices through the individual entries rather than replacing them with a new summary of what each artwork supposedly means.
From Gallery Wall to Permanent Archive
Pharmacopeia belongs to the chapter when The Chateau Gallery presented exhibitions in person in Louisville. TCG Gallery now operates as an online-focused gallery, but this page keeps the physical exhibition visible through its surviving date line, featured-artist roster, installation views, work credits, media, dimensions, and listed prices. That continuity is the purpose of a photography and art exhibition archive: the record remains available after the room changes and the show closes.
View the Pharmacopeia catalog below. Continue to the full TCG Gallery exhibition archive for related work, visit STILL: An Elaboration on the Inanimate (2021) for another physical-era exhibition, or review the current photography open calls.
Featured Artists
Clark Stoeckley, Hannah DeWitt, Janet Dake, Ornella Verano, Michael McDevitt, Mikey Winsor, Paul Murray, Perry Danis, Rene Galvan, Rob Millard-Mendez, Sarah Anne Graham, Sarah Lassiter, Suzanne Baron, Vyncex Gorlami
Exhibition Catalog
Left: Clark Stoeckley, Minneapolis, MS, Architectonic Acceleration, 2021, Ink and Colored Pencil on Cotton Rag, 18in x 24in - USD 2500. Right: Clark Stoeckley, Minneapolis, MS, Momentary Mystic 2021, Ink and Colored Pencil on Cotton Rag, 18in x 24in - USD 2500.
Clark Stoeckley, Minneapolis, MS, Momentary Mystic, 2021, Ink and Colored Pencil on Cotton Rag, 18in x 24in - USD 2500.
Ornella Verano, Fort Lauderdale, FL, Just Another Tuesday, 2021, Mixed Media, 16in x 20in - USD 500.
Perry Danis, Chicago, IL, Empties, 2017, Mixed Media, Collage on Found Canvas, 18in x 20in - USD 150.
Suzanne Baron, Newark, NJ, A.M. Quartet, 2019, Oil on Panel, 9in x 12in - USD 1800.
Michael McDevitt, Pittsburgh, PA, The Glorious Fruit, 2020, Acrylic on Canvas, 13in x 5.5in - USD 650.
Michael McDevitt, Pittsburgh, PA, Something to Behold, 2021, Acrylic on Panel, 10in x 10in - USD 650.
Left: Paul Murray, Jamestown, RI, The Chemist’s Choices, 2021, Color Photo Print on Archival Paper, Signed and Numbered Edition 22.5in x 29.5in - USD 995. Right: Vyncex Gorlami, Louisville, KY, Cocaine, 2020, Archival Inkjet Print, Edition One of Five 18in x 24in - USD 400.
Paul Murray, Jamestown, RI, The Chemist’s Choices, 2021, Color Photo Print on Archival Paper, Signed and Numbered Edition, 22.5in x 29.5in - USD 995.
Vyncex Gorlami, Louisville, KY, Cocaine, 2020 Archival Inkjet Print, Edition One of Five, 18in x 24in - USD 400.
Left: Sarah Lassiter, Little Rock, AR, Devolve, 2021, Oil on Panel with, Found Objects, 48in x 24in - USD 1200. Right: Sarah Lassiter, Little Rock, AR, Percarious, 2021, Oil on Panel with Found Objects, 30in x 30in - USD 1200.
Sarah Lassiter, Little Rock, AR, Devolve, 2021, Oil on Panel with Found Objects, 48in x 24in - USD 1200.
Sarah Lassiter, Little Rock, AR, Percarious, 2021, Oil on Panel with Found Objects, 30in x 30in - USD 1200.
Hannah DeWitt, Louisville, KY, Heirloom Quilt, 2018, Prescription Bottles and Wire 3ft x 4.5ft - USD 600.
Rene Galvan, Medford, MA, Auto-Refill Portrait, No. 11, 2018, Archival inkjet print, 10in x10in - USD 500.
Rob Millard-Mendez, Evansville, IN, The Sackler Family’s America, 2020, Re-purposed Prescription Pill Bottles, Thread, Wood, Paint 16in x 22in - USD 900.
Left: Janet Dake, Versailles, KY, Circadian Rhythms, 2021, Oil on Canvas, 24in x 24in - USD 750. Right: Janet Dake, Versailles, KY, Withdrawal, 2018, Oil on Canvas, 20in x 24in -USD 480.
Janet Dake, Versailles, KY, Circadian Rhythms, 2021, Oil on Canvas, 24in x24in - USD 750.
Janet Dake, Versailles, KY, Withdrawal, 2018, Oil on Canvas, 20in x24in - USD 480.
Left: Michael McDevitt, Pittsburgh, PA, The Glorious Fruit, 2020, Acrylic on Canvas, 13in x5.5in - USD 650. Middle: Michael McDevitt, Pittsburgh, PA Something to Behold, 2021, Acrylic on Panel, 10in x10in - USD 650. Right: Mikey Winsor, Lexington, KY, Down the Hatch, 2021, Oil on Canvas, 30in x 40in - USD 1200.
Mikey Winsor, Lexington, KY, Down the Hatch, 2021, Oil on Canvas, 30in x 40in - USD 1200.
Sarah Anne Graham, Sonora, CA, Making a Killing: Fentanyl, 2021, Watercolor, Mixed Media, 19” Diameter - USD 800.
Sarah Anne Graham, Sonora, CA, Making a Killing: Hard Pill to Swallow, 2021, Watercolor, Mixed Media, 20” Diameter - USD 700.

