The Captured Image (2022)

June 1 to July 1, 2022

The Captured Image (2022) was presented from June 1 to July 1, 2022 as an online photography exhibition of 36 photographs by 36 artists. Rather than impose one subject, the original framing centers the act shared by every work: light crosses space, meets a camera, and becomes a record of attention, time, and place. The catalog makes that broad idea searchable through exact process language, including archival pigment and photographic prints, infrared photography, alternative lumen photography on aluminum, 35 mm Portra 400, timestacking, a scanned Fuji FP100C instant print, large-format silver gelatin photography, a tri-color photograph, a digital C-print, photography on acrylic, and a Hahnemuhle canvas work constructed with inkjet pigment, wood, and steel. Artist credit lines reach across the United States and include locations in Lebanon, Taiwan, Algeria, and France. Those are catalog credits, not claims about nationality or where any photograph was made. This permanent page preserves the complete Featured Artists roster, all 36 photographic records, dimensions, edition notes, and historical listed prices. Explore the full catalog below, then continue through related photography exhibitions, TCG Gallery's online exhibition archive, or current photography open calls.

One Photographic Act Without One Theme

The Captured Image (2022) is a completed contemporary photography exhibition of 36 photographs by 36 artists. The original page deliberately avoids one thematic constraint. Instead, it describes the act common to the entire catalog: light moving through space, reaching a camera, and becoming a record shaped by attention, time, and place. That framing lets documentary, experimental, film, digital, composite, and fine art photography occupy the same online exhibition without forcing the works into an invented shared subject. The archive keeps the page searchable by recording what the live catalog actually provides: title, photographic process or presentation when listed, dimensions, year, artist credit, edition information, and historical price field.

Archival Pigment and Photographic Prints

Archival printing appears throughout the credit lines in several forms. Jennifer Eddins, Alexandre Mounayer, and Astrid Cope have works listed as archival pigment prints. Yuquan Duan, Rene Galvan, Tsung-yu Lu, V. A. Ashbrook, Billy Ray, and other artists are represented by archival photo prints. Kelly O'Leary's Anastasia Formations No. 1 is an archival pigment print from an edition of 26. Cindy Konits's Luminance begins with a scanned Fuji FP100C instant print and is presented as an archival pigment print in an edition of five. The page preserves those distinctions instead of replacing them with a generic digital photography label.

Infrared, Lumen, Film, and Silver Gelatin

Several catalog entries identify photographic processes beyond standard archival printing. Beth Trepper's Sheepherding, Galway, Ireland is infrared photography. Cara Lee Wade's Fossil Poetry: Georgia Lumens I is credited as alternative lumen photography on aluminum. Caroline Moore's Cradle the Moon records 35 mm Portra 400 with editing. Ken Konchel's Beam is a large-format silver gelatin photograph. Gregg Cooper's No Dumping, Ventura, California is listed as a tri-color photograph. Each term stays attached to its live credit, making the exhibition useful for viewers searching for experimental photography, film photography, instant film, infrared images, lumen prints, and silver gelatin processes.

Timestacking, Composite Images, and Constructed Presentation

The catalog also records photographs shaped through sequencing, combination, or distinctive output surfaces. Mark Weller's Soon It's Gonna Rain is timestacking photography presented as an archival photo print. Mark Dierker's Lunar Progressions is a composite image and digital C-print. David Bueschel's Steel Blue is a digital photograph on gallery wrap, and Nathanael Cox's Bamboo Path is photography on acrylic. Christopher Paul Brown's Bird In Flight, Abandoned Factory, Unconscious Dubuque uses Hahnemuhle canvas, inkjet pigment, wood, and steel. These are cataloged processes and materials, not guesses about how the works look.

Thirty-Six Artists and Exact Credit Locations

Each Featured Artist has one photograph in the 36-work catalog. The credit lines include locations across the United States and entries in Lebanon, Taiwan, Algeria, and France. Alexandre Mounayer's location is preserved exactly as Qatar, Lebanon. These locations identify artists for the exhibition record; they are not treated as nationality, subject geography, or proof of where a photograph was produced. John Diephouse's Cracking Under Pressure has dimensions, year, historical price, and artist location on the live page but no medium. The archive leaves that field unstated rather than supplying one.

The Complete Catalog in TCG Gallery's Archive

The Captured Image remains part of TCG Gallery's permanent online photography exhibition archive. NFS labels and listed prices are retained as historical catalog fields only and do not establish current availability. The separate Sales and Artist Inquiries block remains below the catalog without changing the archival status of those fields. Explore all 36 photographs on this page, continue to The Art of Street Photography (2022), browse the complete exhibition archive, or review current photography open calls.

Featured Artists

Jennifer Eddins, Alexandre Mounayer, Astrid Cope, Yuquan Duan, Rene Galvan, Beth Trepper, Cara Lee Wade, Tsung-yu Lu, V.A. Ashbrook, Billy Ray, Caroline Moore, Mark Weller, Christopher Paul Brown, David Bueschel, David Cook, Cindy Konits, Debra Behr, Faouzi Louadah, Justin Martin, Kelly O’Leary, Ken Konchel, Kim Perdue, Gregg Cooper, John Diephouse, Kimberly Flynn, Laura Benvenuti, Mark Dierker, Michael Coakes, Rick Lingo, Nathanael Cox, Stephen Wilson, Scott Bemman, William Brown, Leslie Hall, Norman Aragones, Nicolas Dedi